Posts filed under Filmmaking

6 Films & TV Shows That are Shooting in Georgia in 2019

Jumanji.jpg

Happy holidays, guys and dolls! 2019 is right around the corner, which means PILOT SEASON is right around the corner which means big production companies are also gearing up to shoot their features in good ol’ GA. Here’s a list of films and TV shows that are shooting in Atlanta and the surrounding areas in the new year:

Jumanji 3

Filming for the blockbuster will take place in Atlanta from January 21st - April 26th, and reports are that Dwayne “The Rock” Johnson, Jack Black, Kevin Hart, and Karen Gillan will all be reprising their roles. Keep an eye out on the casting boards - especially if you’re good at running through jungles.

The Glorias: Life on the Road

Filming in Savannah from January 14th, 2019 - March 30th, 2019, this film is an adaption of Gloria Steinem’s memoir, My Life on the Road. Hot tip: read the book before you audition for bonus points!

Zombieland 2

That’s right - the zombies are back, and they’re hungrier than ever! This horror comedy is filming in Atlanta January 28th, 2019 - March 15th, 2019.

Echo Boomers

A Bling Ring-esque romp, this film is about a group of twentysomethings who steal from the rich to give to themselves. Filming in Atlanta January 20th, 2019 - March 15th, 2019.

Limited Partners

I am a big Tiffany Hadish fangirl, so I was stoked to read that she and Rose Byrne (also a fan of hers!) are filming Limited Partners, a film about two women from a beauty company that gets bought out by a big tech company. Filming in Atlanta starting on June 28th, 2019.

Watchmen

Now in pre-production, this show is filming in Macon, GA in 2019. Starring Yahya Abdul-Mateen II, Adelaide Clemens , Frances Fisher, Louis Gossett Jr., Jeremy Irons, Rgina King, Don Johnson, Andrew Howard, it’s sure to be a superpowered dream.

What are you most looking forward to auditioning for in 2019? Let us know in the comments!

Posted on December 17, 2018 and filed under Filmmaking, Filming.

DIY Filmmaking with Future Legend Ed Dougherty

Courtesy of @eddied4me

Courtesy of @eddied4me

In the film industry, as in any industry, it’s important to know who’s who and to take your cues from those who have gone before you, and have subsequently become successful. Ed Dougherty of Grinning Man Media Films in Los Angeles is one of those people; he’s a successful entrepreneur and filmmaker who has been around the block enough to know what works and what doesn’t in the entertainment industry, whether he’s shooting a commercial, feature film, music video, or corporate video.

Read on to get his invaluable insight on how to make in the entertainment industry, whether you’re talent or crew in LA, New York, Atlanta, Chicago - or any other city in the world!

Studio 27: Hi Ed Dougherty from Grinning Man Films (also known as Grinning Man Media Group, or GMMG)! Tell us about yourself and what GMMG does.

Ed Dougherty: Hi. I’m a writer/producer/director/editor who has [created] all kinds of content, from producing microbudget features to writing studio screenplays to directing music videos. At GMMG, we primarily produce microbudget features, make music videos, and [make] corporate/commercial content.

S27: What is the difference between narrative film and commercial?

ED: I’m not really sure I know how to answer this question. On the one hand, the differences are vast. On the other hand, things are all the same, from a producing and basic filmmaking perspective. When I first heard about how much you got paid for commercial work, I figured there was some insane trick to it that I didn’t know about. While it is hard to get your point across in 30 seconds or 15 seconds, it’s still basically the same process as making anything is. I’d say the barriers for entry to commercial work are harder than narrative.

S27: What do you look for when you cast talent for feature films?

ED: Talent, an interesting face, some kind of hard-to-define screen presence that you only know when you see it. Not a maniac. These are all obvious things. But mainly I think to myself-- will this person make my writing seem better than it is? If so, then I like them.

S27: Do you prefer to cast named talent - why or why not?

ED: Yes, of course, on a certain level. But it has to fit. It’s not the hardest thing in the world to get a named person into your film, if it is decent and you are not a maniac. But I also find it awkward when a name person shows up in a handful of scenes, all on the same set, and you know that they only had that person for a day. Also in some genres like horror, the name value of the cast pales in comparison to the concept and the feel of the film. In horror, you don’t need names, unless it’s higher budget - then you definitely do.

S27: Who has been your favorite celebrity to work with, and why?

ED: Aidan Gillen by far. Just because I feel we share some DNA. He’s an amazing storyteller and the most Irish character you can be around. Just a legendary person who is always very alive and interesting, and will bring all of himself to whatever role, even if it’s just some weird little thing you’ve come up with.

S27: What advice would you give an emerging filmmaker with little-to-no resources?

ED: Here’s something I have really come to believe in -- be prepared to rewrite your script as the situation develops. Sometimes even on a microbudget movie, you’ll have a filmmaker say “Well, in the script it’s a Learjet, so that’s what we need.” And you think, but you wrote the script. It wasn’t brought down the mountain on stone tablets by Moses. You shouldn’t think of the script as some unchangeable thing ever, but especially not with little-to-no resources. You can write yourself out of trouble cheaper than you can ever shoot or edit or FX yourself out of trouble. My other piece of advice would be that you need to face the harsh reality that not everyone is going to care on the level that you do, if there’s no money involved. Specifically when it comes to hiring editors, post people, etc. I have never had good luck paying an editor on a low budget project. You’ll often get back crap, and it will still be expensive. Learn to edit. You’ll do a better job anyway.

S27: Finally, any advice for Atlanta actors? Should we all just up and move to LA?

ED: I don’t know enough about Atlanta to really give a good answer to this, but I do tell my filmmaker friends in NYC that they need to move to LA. There’s just so much opportunity here. And you meet people who introduce you to opportunities. I’m not the most social person in the world yet I’ve randomly met tons of people who were very valuable to my career. I think the more people like that around the better.

2 Ways to Create Indie Film Magic With $0 in the Bank - Without Using Credit!

Making an independent film ain't easy. I've been there - several times. There's not always pay involved, even for above-the-line crew ("above-the-line" or "ATL" means the creative forces behind the production - so, a screenwriter, a director, a producer, etc.). For some creative endeavors, you may have to accept working for free - especially if you're just starting out in the industry.

But if you're a thrifty person - or even if you're not - you can figure out a way to make ends meet without worrying about trying to get a loan, paying back investors, or opening up another line of credit. Where there's a will, there's a way, and who has more WILL to get their dreams to become reality than filmmakers? Read on to discover our best tips and tricks to creating your next masterpiece for free or virtually no money.

Friendship is Magic

As The Beatles once sang, "[you] get by with a little help from [your] friends" (yeah, yeah, we edited it a bit for our purposes!). Take their advice, and ask your friends and family for help. Do you have a friend who knows how to sew and can make your much-needed 18th-century costumes? Do you have a cousin with an amazing property you can use for a location? Do you have any hair/makeup artist friends, or do you know someone who can cook and be in charge of crafty? The best advice I can give to folks - no matter WHAT industry they're in - is to think strategically, i.e., think smart! Utilize all the resources you have at your disposal - you'll be surprised by how many folks actually want to help you make a movie!

There's No Shame in Being Broke

This is a hard one for me - I truly need to take my own advice. I hate asking for money, unless it's pretty common practice in a certain field, like filmmaking. You'd be hard-pressed to find any independent filmmaker that didn't ask for money in some form or another, whether it's from investors who have the liquidity, or by simply holding a crowdfunding campaign on websites like Indiegogo and Kickstarter (hint: I like Indiegogo better, because you can keep all the money you raised vs. Kickstarter, where if you don't meet your goal, you don't make ANY money). According to Lifewire, "Kickstarter applies a 5-percent fee to the total amount of funds collected as well as a 3 to 5-percent payment processing fee...Indiegogo charges just 4 percent in fees on the total money you raise if you end up meeting your goal. But if you don’t met your fundraising goal, you are charged 9 percent of the total money raised." The only boone with Kickstarter - to me, anyway - is that it's more well-known. 

You can also fundraise in other ways - ways in which no one takes a cut, but you! However, if you hold a fundraising event with entertainment, food/drinks, etc., keep in mind that the money you spend on the event will need to be worth it, i.e., you should make SOME sort of profit off of your fundraising event for your film, AND be able to pay yourself back for the money you spend on the event itself. 

So, that's it! Those are our two quick tips that should help you be well on your way to making your first-ever (or second-ever, or third-ever...) independent film! Tell us in the comments the thrifty ways or methods you've discovered you can utilize for filmmaking!

Posted on July 29, 2018 and filed under Investment, Filmmaking.